The new TASCAM TRACKPACK 2x2 assembles everything you need to record music on your computer. Included in the complete recording bundle is TASCAM’s US-2x2 USB audio interface, TM-80 studio condenser microphone with shockmount, and TH-02 headphones
The UH-7000 is a pro-level microphone preamp and audio interface, designed with a strong focus on low noise and high audio quality. Not only can this unit be used as a 4-in/4-out audio interface in a DAW production environment, but as a standalone microphone preamp and AD/DA converter.
The TASCAM US-16x08 captures 16 mic and line inputs to your computer with clear sound quality and advanced features to manage big sessions. Eight Ultra-HDDA microphone preamps deliver the cleanest and quietest operation in their class while delivering up to 56dB of gain
TASCAM’s US-1x2 brings great quality desktop recording to a price never before possible. It features a high-quality Ultra-HDDA microphone preamp as well as a 1/4” line input - switchable to instrument level for guitar or bass.
Two of TASCAM’s Ultra-HDDA mic/line preamps provide up to 57dB of gain with nearly inaudible noise and distortion specs. The audio design features high-performance, musical components like NE5532 op amps for rich sound quality without coloring the source.
Four of TASCAM’s Ultra-HDDA mic/line preamps provide up to 57dB of gain with nearly inaudible noise and distortion specs. The audio design features high-performance, musical components like NE5532 op amps for rich sound quality without coloring the source.
Compact, affordable, and capable of a stunningly wide range of tones, the BlueTube DP V2 dual-path mic/instrument preamplifier offers two independent channels, each with an XMAX Class A solid-state preamp, followed in the signal path by a 12AX7 vacuum-tube stage.
For more than a decade, DigiMax-series preamp/converters have been relied on in countless recording studios worldwide. Based on our highly lauded XMAX Class A solid-state preamp, the DigiMax D8 has become a classic, offering eight of these prized preamps-enough to raise your entire studio rig to a higher level.
For more than a decade, DigiMax-series preamp/converters have been relied on in countless recording studios worldwide. The DigiMax DP88 is the latest innovation in the DigiMax line, offering digitally controlled, analog preamps and unmatched digital conversion up to 96 kHz.
We named this channel strip the Studio Channel, and indeed it’s a wonderful studio tool. But it’s great for live performance, too. Featuring tube preamplification, a VCA-based compressor, and three-band EQ, it delivers a huge variety of timbres.
Great tube mic preamp, identical to the RP220 except for the analog meters, and gold face plate. It has been included on several album credits and is present in most major studios in LA, Nashville, and New York.
The EZ-PH1 is a stereo phono preamplifier with front-panel volume trimmers and audio level metering. Stereo RCA jacks and a grounding screw are provided on the rear panel for connecting a turntable tone arm.
The EZ-MPA1 is a microphone preamplifier with front-panel volume control and audio level metering. A front-panel switch engages an audio compressor to control overloads and clipping during high level audio bursts or peaks from the microphone.
The EZ-MPA2 is a stereo microphone preamplifier with front-panel volume controls and audio level metering. A front-panel switch engages audio compressors to control overloads and clipping during high level audio bursts or peaks from the microphones.